Marco Tonini 51, Male Verona Italy: Share on Facebook Share on Facebook Share Twitter

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Marco Tonini's Videos

Interpretazione della spettrografia nel canto - Parte 1

Added by Marco Tonini

Interpretazione della spettrografia nel canto - parte 2

Added by Marco Tonini

vox mentis

Added by Marco Tonini

Warren

Added by Marco Tonini

SoundField

Added by Marco Tonini

Marco Tonini's Groups

Creative Commons/Non-Ass…

46 members
OMN Compilations

41 members

Didgeridoo

56 members
Woodroot Webradio

93 members

Sound and Resonance at P…

57 members
Virtueller deutschsprach…

71 members

Overtone Singing Techniq…

101 members
Optimal Overtone Numberi…

24 members

Tertium Auris - Italian …

24 members
Software and Vocal Analy…

54 members

Tools for your My Page

61 members

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Marco Tonini's Discussions

432 tuning fork
47 Replies

Started this discussion. Last reply by Skye Løfvander Apr 8.

OMN Compilations - RULES
4 Replies

Started this discussion. Last reply by Marco Tonini Oct 13, 2009.

Stimmung
12 Replies

Started this discussion. Last reply by Wolfgang Saus Sep 6, 2009.

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Latest Activity

Tamás Bendzsa joined a group

Overtone Singing Techniques

There are many ways to produce vocal overtones. It depends by the structure of our vocal tract - tongue, cavities, ... - and our sensitiveness. We could explain our technique here.

Jun 28

30 Comments

Moisés Pérez Miguélez joined a group

OMN Compilations

We want to create an OMN Showcase about our artistic works. People in the world will be able to download our virtual CD, with cover package, for free.

May 13

12 Comments

A group by Marco Tonini was featured

Overtone Singing Techniques

There are many ways to produce vocal overtones. It depends by the structure of our vocal tract - tongue, cavities, ... - and our sensitiveness. We could explain our technique here.

Apr 19

30 Comments

Skye Løfvander replied to the discussion '432 tuning fork'

"Please read Milton Mermikides' clear and thorough reflections on this subject! http://www.miltonline.com/2014/01/07/hertz-so-good/"

Apr 8

Paulo Prudente joined a group

Overtone Singing Techniques

There are many ways to produce vocal overtones. It depends by the structure of our vocal tract - tongue, cavities, ... - and our sensitiveness. We could explain our technique here.

Mar 31

30 Comments

Teddy Guilbaud joined a group

Software and Vocal Analysis

Software for sonograms, spectrograms, formants, overtones manipulation. How is important the electronic process in your music?

Mar 8

27 Comments

Teddy Guilbaud joined a group

Overtone Singing Techniques

There are many ways to produce vocal overtones. It depends by the structure of our vocal tract - tongue, cavities, ... - and our sensitiveness. We could explain our technique here.

Mar 8

30 Comments

Tjasa Cepus joined a group

Overtone Singing Techniques

There are many ways to produce vocal overtones. It depends by the structure of our vocal tract - tongue, cavities, ... - and our sensitiveness. We could explain our technique here.

Feb 6

30 Comments

Alexandru Anton joined a group

Overtone Singing Techniques

There are many ways to produce vocal overtones. It depends by the structure of our vocal tract - tongue, cavities, ... - and our sensitiveness. We could explain our technique here.

Jan 4

30 Comments

Luca Recupero commented on the group 'Tertium Auris - Italian Group'

"Ciao a tutti! Non so se questo gruppo è ancora attivo, spero che qualcuno sia comunque in ascolto... Era solo per invitarvi ad una iniziativa che stiamo organizzando a Catania dal 6 all'8 dicembre: concerto e workshop con il grande TRAN…"

Nov 24, 2013

Luca Recupero commented on the group 'Overtone Singing Techniques'

"Hallo Everyone, I hope I'm not too rude if I use this wall to announce an Overtones Event we're organizing in Catania, Sicily from 6 to 8 dececmber. Special guest Tran Quang Hai! All the infos here:…"

Nov 24, 2013

Luca Recupero joined a group

Overtone Singing Techniques

There are many ways to produce vocal overtones. It depends by the structure of our vocal tract - tongue, cavities, ... - and our sensitiveness. We could explain our technique here.

Nov 24, 2013

30 Comments

Wolfgang Saus replied to the discussion '432 tuning fork'

"Marco, I don't know what Titze second formant is. I mean the convetional second voice formant. It's bit lengthy to explain. And not all experiments are done yet. It's about harmonic formant constellations, i. e. harmonic vowels and…"

Nov 9, 2013

Marco Tonini replied to the discussion '432 tuning fork'

"Wolfgang, the real main question was why 432 Hz and not 431 or 433 or others? Do you refer to' the Titze second singing formant? "

Nov 9, 2013

Wolfgang Saus replied to the discussion '432 tuning fork'

"I totally agree to as it concerns the number theories. But lowering the concert pitch makes sense in some cases. Many pieces written for voice sound now up to 100 ct higher, which matters when it goes to the upper limits of a soprano aria or if it…"

Nov 8, 2013

Marco Tonini replied to the discussion '432 tuning fork'

"Great, I totally agree "

Nov 8, 2013

Skye Løfvander replied to the discussion '432 tuning fork'

"It seems that the 432 campaign has gathered more momentum - not in quality but in visibility. Therefore I wrote an article dealing with the various aspects of this issue. 432 Red Herrings Per Second The notion that in the tonal world the frequency…"

Nov 7, 2013

Fred Le Van joined a group

Overtone Singing Techniques

There are many ways to produce vocal overtones. It depends by the structure of our vocal tract - tongue, cavities, ... - and our sensitiveness. We could explain our technique here.

Sep 11, 2013

30 Comments

Fred Le Van joined a group

Software and Vocal Analysis

Software for sonograms, spectrograms, formants, overtones manipulation. How is important the electronic process in your music?

Sep 11, 2013

27 Comments

Oleg Rossiyskiy joined a group

Overtone Singing Techniques

There are many ways to produce vocal overtones. It depends by the structure of our vocal tract - tongue, cavities, ... - and our sensitiveness. We could explain our technique here.

Sep 6, 2013

30 Comments

Marco Tonini aka Tertium Auris

Profile Information

About me:: I'm an orchestra and choir opera conductor, but I prefer to analyze vocal formants, sonogram and spectrogram. My workshops are instructions about formantic analysis of overtone singing and opera singing by audio software. I work for disabled children in public secondary school since 1997.

For my compositions I use my voice and my vocal samples (sometimes some whale and dolphin samples).

Sometimes I think that my music is no natural, because I also use my voice digitally processed by software. Ok, I use time streching, reverbs and many filters only.

But I love work with my overtones and process them.

As a band we are:: only me, maybe some friends in the future

Instruments:: voice, audio software.

Influences:: all and anyone

Homepage:: http://www.marcotonini.org

1° FORMANT AND 2° FORMANT = DIFFERENT VOWELS

Terium Auris blog

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Marco Tonini's Blog News

Synapse

Vocal impro during a Laneri-Tonini overtone singing workshop in 2010, with friends Daniele Biccirè, Patrizio Ligabue, Silvia Lorenzi and Veronica Vismara.

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Continue

Posted on October 16, 2012 at 11:39am — — 1 Comment

Moveable larynx

This is a nice way to realize a simple moveable larynx.

I use this model on my workshops to explain clearly some larynx movements.

Look at this video.

You can download the pdf directions… Continue

Posted on March 29, 2009 at 1:18pm — — 2 Comments

Homage to Demetrio Stratos

Our friend Raffaello Regoli is the manager of

13™ Review of Different Music "Homage to Demetrio Stratos"

Review of Emergent Rock-Underground Groups

Initially, at the 30 anniversary of the death of Demetrio Stratos, the review aimed to observe a year of silence to not exploit the memory of this artist.

Given the constant demands and insisted we continue to believe that it will work in… Continue

Posted on January 26, 2009 at 7:20pm — — 2 Comments

VOX STRIDENS

My new audio release is ready for you, and it is for free download. The tracks are the same that you can find on my personal page, but now you can download them for free in mp3 at bitrate 192.

You can find it at… Continue

Posted on September 19, 2008 at 7:30pm — — 4 Comments

Yours music presented in my blog?

Hi,
I've a little idea.
I would like to insert 1 or 2 file audio, or more, (wav or mp3 full version or extract with some technical notes) for everyone of you in my blog.
Obviously I insert yours name and link to yours site or web space and a link to overtones.ning.
What do you think about?

Thanks to all!

Posted on June 2, 2008 at 5:56pm — — 2 Comments

Marco Tonini's Photos

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Comment Wall (77 comments)

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At 10:16pm on February 4, 2011, Stuart Hinds said…: Hi Marco. I am just listening to your Vox Mentis - fantastic!

At 2:11pm on January 6, 2010, simone costadone said…: grazie, ho trovato questo "network" tramite il tuo sito, grazie 1000

At 6:21pm on December 15, 2009, gaia saltalamacchia said…: Grazie! E' un piacere stare con voi...

At 6:20pm on November 7, 2009, Valory Strobel said…: Thank you! This is a very interesting site -- trying to get some general ideas on this type of music. Working on a very short piece as a dedication for a friend's music studio -- retired LA Phil brass player. Thinking of a piece for contrabass and tenor trombone to simulate tuvan throat singing.

At 1:30pm on November 6, 2009, Javier Nahum said…: thank you very much! is a pleasure to meet you! I hope we're in touch!

greetings!

At 1:55pm on September 30, 2009, Nicholas said…: thanks for the warm welcome!

At 6:50am on August 26, 2009, papajeahja Sandy Kühn said…: Hello yes, du kannst gerne meine Songs verwenden.
Freu mich

At 5:44pm on August 18, 2009, Arjopa said…: Ciao Marco!!
Grazie mille per tue request!!
Your music is really interessting!!

Hope you like our Khoomei Throatsinging Folk Punk,too!!

Greetings from Berlin!!

Arjopa & The Master U-like

At 9:53pm on July 20, 2009, Barbara Lübben said…: Dear Marco, thank you!
Walhalla is just as recorded. But i was astonished myself, when i heared the recording. Singing there was great, but i didnt hear all of this sound while singing...
Best wishes
Barbara