Overtone Music Network

a common space & database for harmonic overtones

Iannis Psallidakos
  • Male
  • Angers
  • France
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Iannis Psallidakos's Connections

  • Johanni Curtet
  • Jens Mügge

Iannis Psallidakos's Groups

 

Iannis Psallidakos's Page

Latest Activity

Iannis Psallidakos posted an event
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Le corps de la Voix at Greece

August 19, 2018 at 6pm to August 25, 2018 at 11am
Une toute nouvelle proposition pour vous offrir des moments riches, une expérience unique et invraisemblable!Les ateliers:Le Chant Diphonique La pratique du chant diphonique nous permet d’approfondir notre conscience et notre maîtrise sur tous les mécanismes phonatoires. Le travail minutieux, effectué sur les résonateurs et l’articulation pour l’exercice du chant diphonique, est remarquable. Les gains dépassent cette pratique et viennent enrichir l’émission vocale dans son ensemble (timbre,…See More
Apr 29
Iannis Psallidakos posted an event
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Chant diphonique en Grèce at Vovousa - Greece

July 14, 2018 at 4pm to July 21, 2018 at 7pm
La pratique du chant diphonique (ou harmonique) on la retrouve dans les traditions musicales de haute Asie autour du mont Altaï, mais aussi en Inde, au Tibet et en Afrique du sud.Le son fondamental (première harmonique) est soutenu par les cordes vocales en même temps qu’un son aigu est produit et amplifié par les résonateurs. Ce son aigu, distant mais toujours parallèle au son fondamental, correspond à un renforcement et à une sélection précise de certaines fréquences harmoniques, résultantes…See More
Apr 15
Iannis Psallidakos joined a group
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Software and Vocal Analysis

Software for sonograms, spectrograms, formants, overtones manipulation. How is important the electronic process in your music?
Apr 6
Iannis Psallidakos replied to the discussion 'How to teach overtone singing to a choir ...' in the group Overtone Singing Techniques
"I think here is the new link: http://www.stuarthinds.com/the-choir-page/"
Apr 6
Iannis Psallidakos joined a group
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Overtone Singing Techniques

There are many ways to produce vocal overtones. It depends by the structure of our vocal tract - tongue, cavities, ... - and our sensitiveness. We could explain our technique here.
Apr 6
Johanni Curtet is now in contact with Iannis Psallidakos
Apr 2
Iannis Psallidakos is now in contact with Jens Mügge
Apr 2
Iannis Psallidakos updated their profile
Apr 2
Iannis Psallidakos is now a member of OMN ...

Welcome Iannis Psallidakos!
Apr 2

Profile Information

About me:
Overtone singing teacher
Vocal coach
Sound meditation facilitator
Vocal artist
Architect
Photographer
Instruments:
Singing bowls
Didgeridoo
Persian Ney
African Kalimba
N'goni
Musical bow (cosmic bow)
Jaw harp
Oud
Influences:
Yat-Kha
Huun-Huur-Tu
Meikhaneh
Christian Zehnder
Anna-Maria Hefele
Natascha Nikeprelevic
Iegor Reznikoff
Homepage:
http://www.osersavoix.fr/

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ResoTone at Klangkeller Bern

June 1, 2018 from 8pm to 9pm
Patrick Frey und Matthias Rauh begegnen sich in ihren Performances in einer Art "analog Labor". Die…See More
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James Robert Hester replied to the discussion 'African Thumb Piano Tuning'
"Hi Andy, I don't know if you found any remnants of the natural scale in any African tunes.…"
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