a common space & database for harmonic overtones
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Christian Muela
- Male
- Rome, Italy
- Italy
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- Photos (11)
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- Videos (7)
Christian Muela's Page
Latest Activity
Profile Information
- About me:
- Born in Bari in 1984, he has cultivated an interest in art and music at the Liceo artistico in Bergamo and the Academy of Fine Arts inBrera in Milan.
In 2008 he wrote a his final exam at the Academy of Fine Arts, was a report on the design of Sound Sculpture was a further confirmation of the musical path: didgeridoo player since 2003, still focused in "contemporary" music production and in the organization of social gathering and musical meetings (Didjin'Rome, KeepOnDidjin, Psychedelic night)
- As a band we are:
- Actually he is involved in 5 musical projects:
SHAMANIC – didgeridoo solo (contemporary music) \\\ tribal
DJANGGAWUL – with Francesco Mascio, Simone Mème \\\ visual noise psy jazz
PRIMITIVE FIELD – with Roberto Bellatalla, Ivan Macera\\\ free
OHM SWEET OHM – with Adriano Lanzi, Niccolo Fritz \\\ trip hop
THUMB – with Giuliano Lucarini \\\ tribal
- Instruments:
- didjeridoo, laptop, trumpet, voice
- Influences:
- Ondrej Smeykal, Dubravko Lapaine, Tuparuja, Massive Attack
- Homepage:
- http://www.christianmuela.it
Christian Muela's Photos
Christian Muela's Videos
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Latest Activity
Study on innovation climate in the area of vocal technique and overtones in voices.
If you are well acquainted in theory and / or practice in vocal technique, harmonics and overtones, I would greatly appreciate if you put in a little time to answer the questions in this link below. Best wishes Dag Arvid Thelle…See More
Overtone Singing Techniques
There are many ways to produce vocal overtones. It depends by the structure of our vocal tract - tongue, cavities, ... - and our sensitiveness. We could explain our technique here.
Software and Vocal Analysis
Software for sonograms, spectrograms, formants, overtones manipulation. How is important the electronic process in your music?
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