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Tran Quang Hai: Il canto difonico: descrizione, storia, stili, aspetti acustici e spetrrali, approccio orginale, richerche fondamentali e applicate, part 3

Tran Quang Hai : Il canto difonico : descrizione, storia, stili, aspetti acustici e spetrrali, approccio orginale, richerche fondamentali e applicate, part 3
Bibliography :

(1)A.N. Aksenov, Tuvinskaja Norodnaja Muzyka, 1964 ; Die Stile de Tuvinischen sweistimmigen Sologesanges, in Sowjetische Volkslied und Volksmusikforschung, Berlin, Ausgewähte Studien Akademie Verlag, 1967, pp : 293-307 ; Tuvin Folk Music, in « Asian Music », IV, 2 (1973), pp. 7-18.
(2) Lajos Vargyas, Performing Styles in Mongolian Chant, in « Journal of the International Folk Music Council », XX (1968), pp. 70-72.
Emile Leipp, Consideration acoustique sur le chant diphonique, in « Bulletin du Groupe d’Acoustique Musicale, Université de Paris VI », 38 (1971), pp. 1-10.
Gilles Leothaud, Considérations acoustiques et musicales sur le chant diphonique, in Le chant diphonique, dossier n°1, Limoges, Institut de la Voix, 1980, pp.17-43.
Roberte Hamayon, Mongol Music, In New Grove’s Dictionary of Music and Musicians, XII, London, Mc Millan, 1980, pp.482-485.
Suzanne Borel, Solange Maisonny, Michèle Castellengo, Etude radiographique des mouvements oro-pharyngées pendant la parole et le jeu instrumental, in « Bulletin du Groupe d’Acoustique Musicale, Université de Paris VI », 86 (1976), pp. 1-35.
Trân Quang Hai, Technique de la voix chantée mongole : xöömij, in « Bulletin du CEMO, 14-15 (1975), pp.32-36 .
Ronald Walcott, The Chöömij of Mongolia – A Spectral Analysis of Overtone Singing, in « Selected Reports in Ethnomusicology, II, 1, UCLA, Los Angeles (1974) , pp.55-59.
Suni Gunji, An Acoustical Consideration of Xöömij, in Musical Voices of Asia, a cura di R. Emmett e R. Minegushi, Tokyo, The Japan Foundation, Heibonsha Ltd (1980), pp.135-141.
Roberto Laneri, Vocal Techniques of Overtone Production, in « NPCA Quarterly Journal », XII, 2-3 (1983), pp.26-30.
Lauri Harvilahti, Nannu Kaskinen, On the Application Possibilities of Overtone Singing, in « Suomomen Antropologi », 4 (1983), pp.249-255.
Alain Desjacques, Une considération phonétique sur quelques techniques vocales diphoniques mongoles, in « Bulletin du Centre d’Etudes de Musique Orientale, 31 (1988), pp.46-55.
Carole Pegg, Mongolian Conceptualizations of Overtone Singing (xöömij), in « The British Journal of Ethnomusicology », 1 (1992), pp.31-53.
Graziano Tisato, Analisi Digitale dei suoni multifonici, in « Atti del III Colloquio di Informatica Musicale », Padova (1989), pp.107-128
Graziano Tisato , Il canto degli armonici, in « Culture Musicali », Nuove tecnologie e documentazione etnomusicologica, 15 – 16 (1989), pp. 44-68
Trân Quang Hai, Hugo Zemp, Recherches expérimentales sur le chant diphonique, in « Cahiers de musiques traditionnelles », 4, Genève, Ateliers d’ethnomusicologie / AIMP, (1991), pp.27-68.
Mark Van Tongeren, Overtone Singing, Amsterdam, Fusica, 2002.

Per ulteriori approfondimenti vedi :

Z.Badraa, Xöömij « Urtyn duu », specificeskie Javienija Mongol’skoj tradicionnoj klassiceskoj muzyki, in Professional’naja Muzyka Ustoj Tradicij Narodov Bliznevo Vostoka i Soyremennost, Takent, 1981, pp.116-119.

Z.Badraa, L’art Xöömij, in « Les Nouvelles de Mongolie », 9 (1980), pp.18-19.

Batzengel, Urtyn duu, Xöömij and Morin Xuur , in Musical Voices of Asia, a cura di R.Emmert , R. Minegushi, Tokyo, The Japan Foundation, Heibonsha Ltd, 1978, pp. 52-53.

R.Belfer, Chant harmonique, découvrir votre deuxième voix, in « Médecines Douces », 77 (1986), pp.50-53.

Dave Dargie, Some Recent Discoveries and Recordings in Xhosa Music, in Papers presented at the 5th Symposium on Ethnomusicology, University of Cape Town, International Library of African Music, Grahamtown, 1985, pp.29-35.

Dave Dargie, Umngqokolo : Xhosa overtone singing and the song Nondel’ekhaya, in « African Music », VII, 1 (1991), pp.33-47.

Alain Desjacques, Chants de l’Altai Mongol, Paris, tesi di dottorato, Université de Paris IV- Sorbonne, 1993.

L.Dmitriev, B.Chernov, V. Maslov, Functioning of the Voice Mechanism in Double Voice Touvinian Singing, in « Folia Phoniatrica », 35 (1983), pp.93-97.

Jean Pierre Lentin, Je fais chanter tout mon corps, in « Actuel », 81-82 (1986), pp.142-145.

Jean Pierre Pailler, Examen video du larynx et de la cavité buccale de Monsieur Tran Quang Hai, in Le Chant diphonique, dossier n.1, Limoges, Institut de la Voix, 1989, pp.11-13.

Jean Pierre Sauvage, Observation clinique de Monsieur Tran Quang Hai, in Le Chant diphonique, dossier n.1, Limoges, Institut de la Voix, 1989, pp.3-10.

Graziano Tisato, Andreaz Ricci Maccarini, Analysis and Synthesis of Diphonic Singing (Analyse et synthèse du chant diphonique), in Nouvelles Voies de la Voix, première partie (Bulletin d’Audiophonologie », VII, 5-6 (1991), pp. 619-648.

Trân Quang Hai, Note à propos du chant diphonique mongol, in Catalogue de l’exposition Mongolie – Mongolie, Paris, Musée de l’Homme, 1983, p.57

Trân Quang Hai, , Réalisation du chant diphonique, in Le Chant diphonique, dossier n.1, Limoges, Institut de la Voix, 1989, pp.15-16.

Trân Quang Hai, Les Musiques Vocales, in L’esprit des Voix, a.rua di C.Ales, Grenoble, La Pensée Sauvage, 1990, pp.41-52.

Trân Quang Hai, New Experimental About the Overtone Singing Style (Nouvelles Expérimentations sur le chant diphonique), in Nouvelles Voies de la Voix, première partie, « Bulletin d’audiophonologie », VII, 5-6 (1991), pp.607-618.

Trân Quang Hai, Denis Guillou, Original Research and Acoustical Analysis in Connection with the Xöömij Style of Biphonic Singing, in Musical Voices of Asia, a cura di R.Emmert , R. Minegushi, Tokyo, The Japan Foundation, Heibonsha Ltd, 1980, pp. 162-171.

Ekaterina Vlachou, Recherches vocales contemporaines : chant diphonique, Paris, Maîtrise à l’Université de Paris VIII Saint Denis, 1985.
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Extrait de l’ouvrage Incontri di etnomusicologia / seminari e conferenze in ricordo di Diego Carpitella, a cura di Giovanni Giuriati, EM Quderni Archivi di etnomusicologia,394p pp.165-193, Roma, 2007.
Article de Trân Quang Hai : Il canto difonico : descrizione, storia, stili, aspetti acustici e spetrrali, approccio orginale, richerche fondamentali e applicate , pp. 165-193.



End of the article written by Tran Quang Hai in italian

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Jens Mügge left a comment for 'Tran Quang Hai'
"Dear Hai, maybe we can meet us again in Taucha. I left Berlin since one and a half year and live now in a small town near Detmold. The lift is quite better here now in Bad Meinberg instead of the big city Berlin. All the best, Jens"
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"Glad to hear from You Jens . Hope to meet you again in the near future . How are you doing now ? Love from tran quang hai"
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"I met Jens in Berlin , then in Tauche for more than 14 years . He is a refined overtone singer and also a good jew's harp player . Hope to meet him again in the near future . tran quang hai"
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