All Blog News (383)

Roberto LANERI, biography

Studies e Background:Philosophy studies: University of RomeDiploma (clarinet): S. Cecilia Conservatory, RomeB.A. in performance, M.A. in composition: State University of New Yok at Buffalo (SUNYAB)Ph.D. in composition: University of California, San Diego (UCSD)



Teachers:Lejaren Hiller, Charlie Mingus, William O. Smith, John Silber and Keith Humble have left the most durable influences.



Early…

Huun-Huur-Tu

Artist Biographies



Kaigal-ool Khovalyg



An extremely talented, self-taught overtone singer, Khovalyg worked as a shepherd until the age of 21, when he was invited to join the Tuvan State Ensemble. He settled in Kyzyl and started teaching throat singing and igil. A co-founder of Huun-Huur-Tu, he left the State Ensemble in 1993 to devote his attention to the newly formed quartet. He has performed and recorded…

“Tyva Kyzy” (“Daughters of Tuva”) is the first and only women’s group in Tuva that performs all styles of Tuvan throat-singing. This from of multiple tones harmonic singing has been practiced mostly by men and prohibited for women. Tyva Kyzy dares to perform publicly this ancient art of singing in their own unique “feminine” style.



Here is Tyva Kyzy’s “setkilemden sergek yr-dyr” (a cheerful song of my soul). The CD comes with a 20 page full color book and a 6 panel fold out…

Mark Van Tongeren, Amsterdam, 2002, p.110

One of the most controversial recent developments of khoomei is the growing popularity of female throat singing.....

.....Women and khoomei are a bad combination according to Tuvans. Khoomei is an utterly masculine matter, which is clearly reflected in a number of taboos for women. Tuvan men and women, as well as a Western overtone practitioner who demonstrated her skills in Tuva have told me about the…

Proceedings of the International Symposium on Musical Acoustics, March 31st to April 3rd 2004 (ISMA2004), Nara, Japan

False vocal fold surface waves during Sygyt singing: a theoretical study



Chen-Gia Tsai



1. Introduction



Overtone singing is a vocal technique found in Central Asian cultures such as Tuva and Mongolia, by which one singer produces a high pitch of nF0 along with a low drone pitch of F0 (F0 is the fundamental frequency, n = 6, 7, ...13 in typical performances). The voice of overtone singing is characterized by a sharp formant centered at nF0.…

Perception of Overtone Singing



Chen-Gia Tsai



Pitch strength



Voices of overtone-singing differ from normal voices in having a sharp formant Fk (k denotes Kh??mei), which elicits the melody pitch fk = nf0. For normal voices, the bandwidths of formants are always so large that the formants merely contribute to the perception of timbre. For overtone-singing voices, the sharp formant Fk can contribute to the perception of pitch.



A pitch…

First Pan-American/Iberian Meeting on Acoustics, Cancun





[ Lay Language Paper Index | Press Room ]



Observation of Laryngeal Movements for Throat Singing

Vibrations of two pairs of folds in the human larynx



Ken-Ichi Sakakibara*1, Tomoko Konishi, Emi Zuiki Murano*2, Hiroshi Imagawa*2, Masanobu Kumada*3, Kazumasa Kondo*4, and Seiji Niimi*5

*1 NTT Communication Science Laboratories, 3-1, Morinosato…

Overtone Singing

Chen-Gia Tsai



* Perception of overtone singing

* Physical modeling of the vocal tract of a Sygyt singer

* False vocal fold surface waves during Sygyt singing: A hypothesis

* Kargyraa and meditation

The voice of overtone singing is characterized by a prominent formant. In this spectrum of a sound produced by a Taiwanese overtone singer, the 10th harmonic is stronger than its flanking…

TSAI Chen-Gia, Ph.D. Acoustics, Taiwan

Vocal fold vibration and singing



* Ultrasonic imaging of vocal folds

* Vocal fold vibration as sea waves on a porous seabed

* Overtone singing & high-frequency vocalization

* Growl voice & spine stability





Chen-Gia Tsai

Assistant Professor, Graduate Institute of Musicology

National Taiwan University, Taipei, TAIWAN



Ph.D.,…