Sage Pbbbt's Page

About me:

My singing practice takes inspiration from Tuvan and Mongolian overtone singing, Inuit throat singing, sound poetry and an ongoing exploration of extra-normal vocal technique.

I also take influence from industrial musick, trance, and drone; insight meditation practice, urban/industrial shamanism and chaos magick; feminist, queer and trans praxis; and Discordianism.

As a researcher, I have interests in feminist, queer and trans politics, intersectionality and ethical engagements with postmodern culture(s), with a focus on writing against normative narratives. A critical engagement with the ethics of performance, cultural appropriation and privilege form the core of my praxis. I use the moniker Sage Pbbbt for vocal performance work and my name Sage J Harlow for writing.

I recently complete my PhD entitled ‘Giving voice to the extra-normal self with the extra-normal voice: Improvised exploration through the realms of shamanic chaos magick, insight meditation and gender performance.’ You can read it here if you like.

Sometimes I play the drums. Sometimes I write pieces of musick.

Pronouns: she/her.

I recognise the Australian Aboriginal and Torres Strait Islander peoples as the first inhabitants of this country. I recognise the the Whadjuk people of the Noongar nation as the traditional custodians of the land where I live (Perth, Western Australia).

As a band we are:

Experimental, avant garde, free improvisation, black metal, chaos magick, ritual, drone, shamanic black metal, discordian, silly, sound poetry...

Instruments:

Voice, drums, bass, samples.

Influences:

Sainkho Namtchylak, Gendos Chamzyryn, Yat Kha, Jaap Blonk, Stepanida Borisova, Alice Hui-Sheng Chang, Chyskyyrai, Piqsiq, Sila and Rise, Diamanda Galás, Runhild Gammelsæter, Kjuregej, Fatima Miranda, Demetrio Stratos, Maja Ratkje, Salamat Sadikova, K-Space, Mu Fa Or...

Homepage:

http://SagePbbbt.com