a common space & database for harmonic overtones
Also Dorian, step II-III; Lydian, step VII-I; Mixolydian, step VI-VII; Aeolian, step V-VI; Locrian, step IV-V & Ionian, step III-IV.If we should attempt to map the most obvious combinations of fundamental and harmonics in overtone singing, it is essential to find a simple way of illustrating them in sounds and images as the field is vast. Stuart Hinds lately shared his work “Making Music w…
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