Overtone and Intuitive singing
Overtone and Intuitive singing by Oleg Rossiyskiy, Iryna Kazachenko, Michele Averard, Nestor Kornblum. 13th of Jan 2013, The Dome, Alcalali, Spain
a common space for harmonic overtones
Kou Xiang
I'm wondering if Kou Xiang blades are tuned to a specific note? If yes - what is the principle?
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Replies to This Discussion
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Permalink Reply by Jens Mügge on -
Good question. Actually I have no idea about that but I will ask Tran Quang Hai if I'll see him the next time. Or maybe he will response here if he knows the answer. Have you seen Vladiwar Nadishana's well tempered Kou Xiang with seven blades. But what 's the principle ? sure that it should sounds good :)
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Permalink Reply by Alexander on -
I meant - how the fundamental notes of each blade are selected to provide an overall overtone harmony? Also, somewhere I read that the Chinese (or occidental?) music scale is different from European one, so which one is used there?
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Permalink Reply by Jens Mügge on
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I will try to research this in the web ...
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Permalink Reply by Lars Stig Willadsen on -
My 7-blade well tempered Kou Xiang from Nadishana is tuned as follows:
C4, D4, G, A, D2, A#, E3.
If that gives you a hint about any principle. Good luck.
Kind regards
Lars Stig Willadsen
Frederiksberg, Denmark -
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